Past exhibitions

3,200 Colours at Vane

3,200 Colours

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Rachael Clewlow creates rigorous and detailed recordings of her everyday movements. Meticulously documenting this mass of information in diaries, this abstract record of the banal to the unexpected becomes a form of trace from which Clewlow begins to construct paintings and prints.

WO/ at Vane


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Clémence BTD Barret, Lucy Bird, Katie Bishop, Liz Blum, Samantha Boyes, Kerry Ann Cleaver, Maria Ferrie, Emma Fleming, Roberta Louise Green, Paddy Killer, Lady Kitt, Bex Massey, Jenny McNamara, Marisol Mendez, Pelumi Odubanjo, Jennifer O’Neill, Louisa Rogers, Lizzie Rowe, Tracy Satchwill, Georgina Talfana

‘WO/’ is curated by artists Melanie Kyles and Caitlin Heaney to mark International Women’s Day on 8 March and showcases work on the themes of the feminine experience, identity and expectations. The exhibition raises questions regarding what it means to be a WO/man in the modern era, through the perspective of female-identifying artists and their work.

The Vagaries and Misconceptions of the Modern Man at Vane

The Vagaries and Misconceptions of the Modern Man

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‘The Vagaries and Misconceptions of the Modern Man’ brings together recent sculptural works by Ralph Darbyshire, Richard Hollinshead and Kenneth Ross in an exhibition that explores the fallibilities in seemingly certain masculine positions. Figurative in the broadest sense, these sculptural works collectively engage with difficult material, whether brashly explicit or operating as a disquieting undercurrent; and whether concerned with political unrest, sexuality, violence or male body image.

Strange Pursuit at Vane

Strange Pursuit

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Declan Ackroyd, Samuel Barry, Kat Bevan, Rob Bowman, Aloe Corry, Juliet Fleming, Simone Gandhi, Joanna Georghadjis, Tracy Himsworth, Siân Hutchings, Tommy Keenan, Ciara Lenihan, Samantha Lourens, Euan Lynn, Kitty McMurray, Alexander Nicholas, Natalie Reid, Theo Scott

Artists from the BxNU Master of Fine Art programme at Northumbria University, Newcastle upon Tyne, are showcasing their individual practices in a week-long group exhibition.

Parallel Lives at Vane

Parallel Lives

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For ‘Parallel Lives’ Morten Schelde and Flora Whiteley have each made a series of drawings. Schelde combines disparate elements that hover together on the edge of collapse, a moment as short as a sharp intake of breath. Whiteley represents something slower, where the components of her drawings float, transparently: a hovering projected object, a series of slides from a fictional lecture.

Man or Mouse? at Vane

Man or Mouse?

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Tommy Keenan analyses the figural representations of hyper-masculinity experienced in modern culture. Often the work is an examination of macho male stereotypes that seeks to disrupt them and point out the ludicrous nature of the implied expectations, reflecting on society’s expectations of what these gender ‘ideals’ should be.

Artificial Ignorance at Vane

Artificial Ignorance

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Working across drawing, printmaking and digital imaging, Mark Lyons is interested in the role of emerging technology in the production of art and its relationship to more traditional modes of making. Lyons has recently been aiming to automate aspects of his practice using a combination of artificial intelligence and commercial machinery, raising questions around labour, authorship and intentionality.

Asparagus at Vane


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Suzan Pitt’s 1979 animated film, Asparagus, is a candy-coloured nightmare that rocked audiences when it premiered in an installation at the Whitney Museum, New York, catapulting her to the front ranks of indie animation.

Common Ground at Vane

Common Ground

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For ‘Common Ground’ Juan delGado has curated a programme of moving image works by and about refugees and migrants. From the everyday to the cataclysmic, the films and animations are tender, funny and heart rending.

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