Craig Fisher’s work challenges our habits of viewing. Located outside of traditional boundaries, Fisher’s work stubbornly refuses to conform to being any one thing, discipline, state or position. Be it image or object – the work remains uncontrollable.
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Dodda Maggý creates a series of female characters based on personal experiences, which are then enacted in front of a video camera, accompanied by piano music composed and played by herself, sometimes re-worked using a simple recording technique, building layers as if sculpting. She creates audiovisual narratives that objectify the female body without degrading it to the status of a mere object.
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‘Ordinary monuments’ brings together work by Jorn Ebner and Alison Unsworth that examines the urban environment, considering both its planned and random nature and highlighting aspects that often go unnoticed.
Miranda Whall's drawings, photographs, videos and, most recently, animations are self-portraits. Whall explores her own identity in an attempt to recognise herself in relation to both the accessible and inaccessible, natural and man-made world around her. Through placing herself at the centre of both fictional worlds and real life situations she is able to make assumptions about what she might or might not be. The placement can seem at times inappropriate, awkward, humorous and erotic.
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Whilst the artists in this exhibition can be described as engaged in drawing, and share a meticulous, sometimes obsessive, even adolescent relationship to their subject matter, their work represents four very different approaches to the medium.
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‘Orphan’ comprises the work of three artists who deal with depictions of the once removed and the disconnected via representations of people, objects and symbols, all of which in some way disturb established orders – be they psychological, domestic or social.
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‘Yes No’ brings together two artists who both take elements of the mundane and everyday life and transform them through their different working processes. Adding to or subtracting from layers of materials or meaning, they share an interest in unsettling visual narratives and confounding initial readings. Stylistic trademarks of formalism are modified, ‘the original’ and ‘the pure’ stripped of easily read meanings.
nextA series of curated exhibitions, often involving working with invited national and international partner curators or galleries.
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