Past exhibitions

You’re Reading Into It: Queering Contemporary Minimalism, at Vane

You’re Reading Into It: Queering Contemporary Minimalism

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‘You’re Reading Into It: Queering Contemporary Minimalism’ brings together bodies of work by seven emerging LGBTQ+ artists, curated by artist Oliver Doe. The work focuses on queer readings of Minimalist art and portrayals of LGBTQ+ experience through a minimal abstract lens. Seeking to challenge the machismo often associated with Minimalist art and reclaim a queerness in that visual language, ‘You’re Reading Into It’ highlights the importance of queer and radical feminist issues in the development of contemporary art.

What If? at Vane

What If?

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Art in Crisis is a national programme of public events presenting artwork by artists experiencing homelessness. We know that homelessness is not inevitable. We know that together we can end it. ‘What If?’ sees the culmination of a three-month project between Crisis clients in Newcastle and local artist, Rob Haliburton, exploring photographic media.

Press Play and Record at Vane

Press Play and Record

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‘Press Play and Record’ brings together a body of work created by EC Davies over the last three years. This includes video, animation, sound works and textiles, developing aspects of her collaborations with choirs in Berlin and North East England.

This Must Be the Place at Vane

This Must Be the Place

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Narbi Price’s work involves journeys to specific places that have witnessed a range of events – variously historical, famous, personal or forgotten. He researches the precise location of a chosen event, ranging from significant moments in music, film and TV, whimsical acts through to places of violence and death amongst others.

Exposing Form, at Vane

Exposing Form

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In celebration of International Women’s Day, Vane is proud to be hosting ‘Exposing Form’, curated by Caitlin Heaney and Melanie Kyles. The show is an intimate and unedited portrayal of emerging female artists and creatives that are associated with Orbis and Ampersand Inventions in Commercial Union House.

Slowing into form, at Vane

Slowing into form

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Vanessa Anthony, Hannah Barker, Allen Barret, Julie Louise Bemment, Kat Bevan, Elizabeth Black, Rob Bowman, Frankie Casimir, Grace Denton, Simone Gandhi, Rebecca Halliwell-Sutton, Samuel Johnson, Sophie Keith, Ricardo Lopes, Mark Lyons, Melissa MacPherson, Dan McGee, Kitty McMurray, Alexander Nicholas, Murray Thompson

A group of postgraduate artists from the BxNU Master of Fine Art course at Northumbria University are throwing their work in the air and seeing how it lands.

Just below the bang bang at Vane

Just below the bang bang

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Mark Joshua Epstein explores a sense of the baroque through the lens of exuberant abstraction. Inherent in the paintings is a kind of dandy-aesthetic, as Epstein investigates modes for thinking about sexuality, uncoupled from its traditional association with corporeal desire. These works play with obfuscation and revealing, while teetering on the edge of taste. Colours are amped up, patterns delivered through the imperfect marks of the artist’s hand.

Hold Tight at Vane

Hold Tight

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In ‘Hold Tight’, Mark Joshua Epstein and Stina Puotinen invite the viewer in for a shared experience in response to recent political events in the US and UK. The installation they have created references both the physical space of the waiting room and the often anxious sensation of waiting.

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