Mark Briggs projects a comic book cliché against the wall…
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Paul Carter’s constructions and environments provoke meditations on basic questions about existence and the afterlife…
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Joe Devlin’s work is not so much a series of drawings, as a record of other people’s involvement in a text…
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Graham Dolphin’s Everyword in Vogue, July 2001 is literally that: every word from one edition of the fashion magazine…
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William L Gofton takes a line from a song and repeats it over-and-over, end-to-end, until it is almost emptied of any meaning…
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Colin Heggie’s Xtext tele(visually)ports the audience into a hypothetical near future…
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David Osbaldeston’s photocopied drawings attempt to blur narratives of fact and fiction…
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Martin Vincent has taken individual frames from a single scene in a French dialogue film and digitally cropped them to show only the English subtitles…
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